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Faster all the time

Kelly Cartwright has become the Australian face of the Paralympics.

Leading Geelong athletes Kelly Cartwright and Richard Colman reveal to GC’s JOHN VAN KLAVEREN the surprisingly demanding lifestyle of the contemporary Paralympian.

 

WHO knew being a Paralympian could be so busy?

The Olympics are on only every four years, so competitors have plenty of time between drinks to rest, train, and prepare, right?

Clearly, Kelly Cartwright, Richard Colman, Sam Macintosh and their fellow Paralympians didn’t get that memo.

London Paralympics long jump gold medallist Kelly Cartwright expected a rush immediately after her breakthrough win last year.

What she didn’t expect was the continued attention.

“It was busy right after the London Paralympics but since then I had some time off because I had an operation on my foot,” she says during a break in training at South Geelong’s Landy Field.

“But I’m back into it now and it’s been extremely busy. People know who I am now and it’s made a huge difference.”

The difference was significant for the Paralympics movement as a whole, Kelly muses.

“It’s been huge for the Paralympics. People are recognising me now and it’s a chance to raise the profile of the sport.

“It’s important the Paralympics gets the kudos, not just for myself, because all us athletes are trying to raise the profile, raise funds and be recognised as athletes.

“It’s been great for the profile of the sport. It shows people the hard work has paid off.”

 

 

An average Kelly week can include rising at 5am four morning to deliver motivational talks at breakfast events, fulfilling stints as a receptionist at Victorian Institute of Sport, two training sessions a day Monday to Friday and single sessions on weekends as well as three physio appointments as she recovers from her foot operation.

Intermingled are the responsibilities of several ambassadorships and new sponsorships.

“You don’t have a nine to five job but you have to be in four different places in one day,” Kelly explains.

“The hardest thing is finding some spare time in between.

“I even struggle to get down and see my parents because I don’t have the three hours to drive here and spend time with them. Sometimes it gets hard, because I still have training on Saturdays and Sundays.”

The impact of the London games will last for some time yet, Kelly believes.

“When I talk to my coach, Tim Matthews, who was also a Paralympian, it has changed massively from then to now.”

Kelly believes the change has also brought a “normalisation” of disability, noting also the success of comedian Adam Hills, who obtains his prosthetic leg from the same Sydney supplier as Kelly.

“Because you have a disability you have a ticket to make as many jokes as you want,” Kelly laughs.

“But I think it makes a positive difference to people without a profile as well.

“It helps people realise they don’t have to be embarrassed about their disability by seeing elite athletes with disabilities on television.

“Everyone knows someone who’s touched by disability of some sort and it helps bring it out into the open.”

Kelly was only 15 when a rare cancer in her left knee forced a life-changing decision.

Unable to have chemotherapy, she chose amputation, turning her world upside down.

She was a promising netballer for the operation, winning several best and fairest awards.

The sport’s advanced levels were beyond her reach after the amputation, so she turned her attention to running.

 

 

 

The transition was difficult. Mum Jan remembers continual falls and a collection of scrapes and bruises marking the initial stages.

Kelly convinced her father to mark out 10 and 20-metres lines on a piece of bitumen near her home at Barwon Valley Lodge, which her parents operated.

Jan remembers worrying about the mounting injuries as Kelly struggled to master her bulky first prosthetic leg.

But the determination she would show to achieve gold and silver in London began emerging as she slowly mastered the technique.

Kelly steadily climbed to the top of her class in athletics.

In 2007 her proudest moment was running for the first time with her proper running prosthesis without falling over.

Then in 2008 she competed at her first Paralympic Games in Beijing, finishing sixth in the 100m.

In 2009 Kelly moved training squads to be coached by multiple Paralympic gold medallist Matthews. The change was a success, with Kelly breaking the 200m world record and the 100m Australian record during the 2009 Oceania Paralympic Championships.

Then in 2011 she made her mark on the international athletics scene, winning gold in the 100m and long jump at the IPC Athletics World Championships and breaking the world record in the long jump.

Another two world records followed in 2012 – the 200m world mark at the Adelaide Track Classic and the 100m at the Australian Athletics Championships.

In London Kelly cemented herself as one of Australia’s great athletes, jumping 4.38m to win gold in the long jump and silver in the 100m.

 

 

Away from the track, Kelly is an ambassador for Australian Paralympic Committee, St Laurence Community Services and Make-a-Wish Foundation.

She also achieved the extraordinary feat of successfully reaching the summit of Mt Kilimanjaro in 2009.

Still recovering from her foot operation, Kelly returned to the UK for training and competition in Manchester to ensure she qualifies for world championships in France this July as part of her preparation for the 2016 Rio de Janeiro Paralympics.

“The next couple of years will be head down and working on some things Tim wants to improve,” Kelly says.

“We’re looking forward to getting in some uninterrupted training because I’ve never had that in the past leading into any games because of injury or various other problems.

“I want to go to Rio stronger and faster than I’ve ever been. Hopefully I come back with some personal bests and some medals.”

Despite long jump status as Kelly’s premier event, she retains a soft spot for the 100m.

“That’s what I started with and it is always close to my heart,” she admitts.

“Long jump is great because I had the success and I really enjoy breaking things up and doing some jumping but I’d be lying if I said I didn’t want to get my record back for the 100 metres.

“I want to come home with a medal in the 100 again. I want to win the 100.

“I know the other girls are getting a lot faster because we’re all going for same thing. I haven’t had best year so far but I’ll do my best.

“Who knows, they might peak too early. As long as I’m good for Rio I’ll be happy.”

 

Like Kelly, the life of a Paralympian is becoming increasingly fast-paced for Richard Colman.

In between his sport commitments he jams numerous roles from working with community groups to consulting Deakin University researchers on their latest developments in high-tech Paralympic sports equipment.

“It’s crazy at the moment,” Richard confesses between appointments.

“I’m doing 12 and 15-hour days to fit everything in. ’ve got more on my plate than ever.

“I’m even training less. I’m doing longer but fewer sessions because I’m wearing so many different hats – motivational speaking, marketing and we’re even getting into merchandising.

“I’m blogging for three websites now and my own website will be up and running soon but I’m loving it and it’s gaining more attention for Paralympic athletes.”

The 28-year-old burst onto the scene with golf in the 2004 Athens Paralympics in the 800m T53 wheelchair race. A series of silver and bronze medals followed before her triumphed again with gold in London’s 800m T53.

Richard is involved with local sporing organisations specialising in providing opportunities for athletes with disabilities to explore their potential.

“I’m doing more coaching than I’ve ever done before. I have seven wheelchair athletes in Melbourne that I’m working with and a Geelong group as well.

“It’s actually helping me learn how to train smarter and I find myself improving through it all as well.

“The main aim is to get more people active and involved in sport. We’ll have quad rugby starting up here soon.

“The networks and system we have going for us in Geelong are being used as a model around the country now.”

 

 

 

 

 

 

 

(BREAKOUT STORY)

 

Deakin giving athletes high-tech edge

 

(97262_01)  Australian Paralympic Committee’s Paul Van Oosten, centre, inspects Deakin’s boccia ramp  with Dr Paul Collins and student Kris Plumb.

Picture: Reg Ryan

 

 

Deakin University engineering students in Geelong are giving the city’s Paralympians an edge with high-tech sports equipment.

The students are using carbon fibre components, 3D printing and rapid prototyping to help the Geelong contingent and other Australian Paralympic athletes go for gold.

Fourth-year engineering students Kris Plumb and Daniel Howard have designed a ramp for boccia competitors, such as Geelong’s Vinnie Mammoliti, to use at Paralympic qualifying events and world championships later this year.

Deakin engineering lecturer Dr Paul Collins says boccia competitors previously used “old wooden ramps” for a target game demanding precision touch.

“They were a long way behind other athletes when it came to competing,” Dr Collins observes.

Deakin has since signed a memorandum of with the Australian Paralympic Committee (APC) to develop high-impact sport technologies for elite Paralympians, he says.

“We have several projects happening involving significantly upgraded equipment for elite Paralympic athletes.

“We’re designing, engineering and prototyping up to pre-production scale equipment that will have a huge impact on how our athletes compete both here and overseas.”

Paul says students are also working on a new hand cycle for top-10 world hand cyclist and London Paralympian Stuart Tripp.

Stuart expects the opportunity to work with Deakin will give him a competitive advantage in Rio.

“This bike will be lighter, utilising the best design and materials available, ultimately producing a better bike and better performance,” he says.

Richard Colman is an enthusiastic advocate of the Deakin students’ work, especially on his wheelchairs.

“They have some really good ideas and we’re working through potential improvements. If I can gain two per cent improvement I’ll be happy.

“The difference between gold and silver in my events is only a tenth of a second, so it’s more a matter of making some tweaks.

“I’m so glad this is happening in my home town because I love to support local efforts, especially when it comes to Paralympic athletes.”

Quadriplegic wheelchair racer Sam McIntosh agrees Deakin is making a significant different for Paralympic athletes.

“We rely on our equipment so much, so if there’s a chance to pool some resources and come up with something crazy and new for us that would be great.

“Anything that can help us out is good. Our racing chairs, for example, are expensive and we have to get them from overseas.

“It stops grassroots level kids from getting into the sport. If we can make them cost effectively in Australia it will make a big difference.”

Social network – McKellar Centre

Maxwell Collins Real Estate’s Mike McHenry and Nick Lord.

18th Annual Charity Golf Day

at 13th Beach Golf Club

(Sponsored by Geelong Independent)

Photos: Reg Ryan

The Evening Cast

Rachel Cooper, Paul Cooper, Joel Cooper, Rod Grinter, Ash Trickey.

Local sounds

Words: John Van Klaveren

THERE’S nothing like a real blaze to put a fire in the belly, as up and coming Geelong band The Evening Cast has discovered.

A house fire that claimed expensive recoding and studio equipment and musical instruments – but thankfully no lives – set the band back on the eve of a national tour.

“It been a huge personal journey as well as recovering all the equipment,” co-founder Joel Cooper admitted.

“But we are getting on track with a new fire in belly to get back on the road.”

As he mused over the chaotic start to the year for the band, Joel said event had forced the group to evolve.

“The experience has meant a whole lot of things. We’ve been put into extreme situations and have been forced to grow and develop.

“Those things naturally feed into our creativity and song writing and performance. Our live performance and set list is richer and more unique than it’s ever been.

“That’s the life of an artist, going through all the trials and tribulations. But writing and expressing it in song has also been a huge part of the healing process.”

The national tour was organised to capitalise on the band’s seven track EP Lake on independent label Catch Release Records.

But the fire put paid to that. Instead the band found itself the subject of a benefit concert organised by friends and benefactors to help them get back on their feet.

Clare Bowditch has been a strong supporter, Joel said. “We’ve had incredible support in the process, which is really great to discover.”

So much so the band is now re-planning its national tour, with anchor dates in Melbourne on June 9 and Sydney on June 27, with other capitals and regional venues sandwiched in between.

A new video has also been shot to be released as part of the tour, Joel revealed.

“The fire experience shifts your perspective on life and you start to see things in a different way, a way you’ve never seen before.

“As a songwriter I’m interested to hear stories and lyrics that hold that kind of emotion and I think audiences respond to that.

“So it’s not all negative. There’s a lot of inspiration and it helps us grasp the moment and live in the now.”

The Evening Cast started as an hour of jamming between brothers in their dad’s home studio.

“It was a defining moment,” Joel recalls. “We sat down in the studio and said ‘let’s have a good look at this’ and we found it together.

“We grew up in a musical family, dad toured in a band, so we always had music around us and we’ve been constantly inspired by music our whole lives.

“That hour we spent going over songs led us to decide to pursue it. It was important because not many people decide to pursue something they are really passionate about.”

Joel and Paul were joined by Joel’s wife Rachel, playing as a folk trio around Geelong and Melbourne at clubs and festivals.

But the trio soon found that it needed to develop its sound so they put a call out on social media for a drummer.

Unusually, they were met with a wall of silence.

“We didn’t hear anything for weeks. But then we heard from Rod Grinter, old friend of Rachel’s and it turned out to be a match made in heaven,” Joel smiled.

“We knew we wanted to replicate the studio sound in a live setting so next it was finding a bass player.

“We set a high benchmark because we knew they had to be multi-instrumental. We ran into Ash Trickey doing sound at a gig we were at and got to talking. I couldn’t believe how quickly and easily it came together.”

As well as preparing for its national tour, the band is writing material for its debut album later this year.

The fire tragedy will provide a significant backdrop to the material, adding tone and colour to the music and lyrics.

“We wouldn’t have been able to establish it all again without the willingness to progress and a total commitment by all five of us.

“We all chipped in to set up the new studio and in the process discovered there is something unique and refreshing about starting again.”

Instead of the band’s equipment and instruments growing organically, “you are given the opportunity to make different choices,” Joel said.

“This time we’ve handpicked everything as we’ve been investing ourselves back into it. We learned a lot about possessions and what’s important in life.

“I can confidently say – and it amazes me – that what I have to offer as a songwriter and musician is so much more natural, raw and authentic than before.”

While Joel and Paul are the creative lynchpins of the group, all members have input into the final version of a song.

“We are constantly working on new pieces because we feel it is important to include fresh music into our sets,” Joel explained.

The band has planned a song writing weekend in July to wind down from the tour, by booking a house “in the middle of nowhere” and committing to song writing for three days and nights.

“We love throwing ideas around and being creative. We’ll often bring the skeleton of a song to the group and from there it becomes a team process.

“I’ll usually have a loose song structure with a melody and idea of what I’m thinking, a general idea of where it needs to go.

“But everyone can provide input into how it should sound from their various perspectives. It’s a way to make sure we all have ownership of a song.

“When you work with musicians you trust, it’s easier to let go. We search for unique sounds and we all need to let go to let that happen.

“One of most enjoyable things about being part of the group is making the music together.”

Joel said the band was also looking forward to renewing a working relationship with Clare Bowditch producer Marty Brown.

“He is an incredible producer. We’ll do all the tracking ourselves in our Otways studio but the engineering and mastering will be done with same team that worked on Lake.”

The Evening Cast kicks off its national tour at the Workers Club in Melbourne on Sunday June 9.

Into the wild white yonder

Tamara and Lorraine Huber

Freeride skiing and mountain climbing take a combination of courage, skill and determination. Doing so at a world level, takes a little more. NOEL MURPHY reports on two Torquay sisters who have these attributes in spades…

Local Sounds: Izzy Losi

Izzy Losi

Izzy Losi is taking control of her music career by studying to become an Italian teacher.

Home is where the ART is

Joel Wolter working on an etching in his tiny Barwon Heads home studo.

Just as renowned British artist John Constable looked to his beloved home Dedham Vale for divine inspiration, so Joel Wolter sees the beauty of Victoria’s south-west coastline. Joel thrives on drawing (etching and painting) attention to the striking relationship between manmade structures and the natural world. Corio Bay, You Yangs, 13th Beach, St Mary’s Cathedral and the Geelong Railway Station are just some of the region’s landscapes that have caught Joel’s artistic eye.

SHOOTING STARS

Tayla says she pretty much knew from a young age that she was destined for an acting career.

Geelong has traditionally punched above its weight when it comes to producing acting and musical stars of the future. John Van Klaveren scopes Geelong’s crop of rising stars – the names you’ll see in lights.

Setting Tongues WAGging

Renee Enright, Emma Clapham and Sarah Ottens chat about football, fashion and their favourite place.

Corey Enright, Tom Hawkins and Brad Ottens have earned their claws as successful players of the Geelong Football Club. But three pretty kitties really make these Cats purr. CHERIE DONNELLAN talks to Renee Enright, Emma Clapham and Sarah Ottens about their careers, thoughts on football and home lives.

The Good Fight

Geelong soldiers Daniel Taylor, Nick Barrand and Tom Reynolds on the frontline in Afghanistan.

They put their lives on the line in a faraway land every day and have seen mates die in action. From a dusty, fortified army base on the frontline in Tarin Kot, three Geelong soldiers speak to JOHN VAN KLAVEREN about fighting the good fight in Afghanistan.

Legends of the surf

Sally Fitzgibbons giving a peak performance at 2012’s Rip Curl Pro.

Home of the world’s longest-running surf competition, Torquay’s Bells Beach holds a special charm in the minds of professional surfers worldwide. Ringing the prestigious bell at Easter’s Rip Curl Pro remains a paramount career goal for many of the sport’s best athletes. Michelle Herbison laps up the growing excitement in the lead-up to this year’s competition by speaking to a few pros.

Beautiful illusions

Moi-Yo was in her heyday known as the most beautiful woman in the world.

NOEL MURPHY meets Geelong’s Moi-Yo Miller, once billed as “the most beautiful woman in the world” during an exotic international career with the world’s leading illusionist.

In conversation: with Rebecca Maddern and Amy Parks

Rebecca Maddern is the very model of a modern news presenter.

They have noses for news and faces for television.

Local girls made good Rebecca Maddern and Amy Parks star as leading ladies of the nightly television news.

Michelle Herbison turned the tables to interview them about their glittering careers.

Words: MICHELLE HERBISON
Photos: TOMMY RITCHIE

REBECCA MADDERN

How was it growing up on a farm in Ceres? 

My stepdad used to train racehorses, so I was riding bareback from the age of three or four. It was the best childhood you could imagine – what little girl doesn’t want to own a pony!

A majority of my family still lives in Geelong, so I’m down there all the time. I still come down and get my hair done!

When I drive down that highway I actually always feel like I’m home.

 

Amy ParksAMY PARKS

What was your experience of living in St Leonards as a teenager?

I remember everybody being really friendly. I had this amazing opportunity to go down and get my horse off the farm, jump on bareback, cruise down to the beach and go in the water. My horse, Buddy, was like a big pet.

As I grew up we moved to Drysdale and Portarlington. I joined Portarlington Pony Club and we used to ride our horses from where they were kept to pony club via the beach along the water.

I was in the Sweethearts at Matthew Flinders and went on their first tour to Europe in 1997. I was only 15 and we played with BB King, Earth Wind and Fire and Cheryl Crow at the Montreaux Jazz Festival on Lake Geneva.

To read more, grab a copy of the December 2012 edition of Geelong Coast Magazine.

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