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King Gizard and the Lizard Wizard

King Gizard and the Wizard Lizard, amid the fuzz.

WAH-WAH squeals, rapid-fire ray-gun zapping, cosmic wave flangers and blues harp shrieking might make great diversions for rock musicians but rarely do they form the bedrock of a band.

Words: Noel Murphy

Not so with King Gizzard & the Lizard Wizard, the fantastically-named Anglesea outfit ramping its psychedelic garage rock to a new level and fresh home after shredding audiences from Iceland to New York in the process.
The members are gadget nuts. With three electric guitars putting a trove of FX to serious space-cadet use – on top of hard-driving rhythms, rock-solid riffs and catchy tunes – the results are startling.
And pretty damn captivating; like a ’60s Shadows-on-acid sound.
It all emanates from a casual, bedroom-recording MO; so relaxed the band’s work has been called “dirty and unashamedly sloppy”, “psychedelic warts and all”.
In a good way, of course.

Read more in the latest GC Magazine – out now.

Art versus science

Amanda in the studio with some of her latest works. Picture: Reg Ryan

Newtown botanical artist Amanda Blake-Sutterby explains the intricacies of her work to JOHN VAN KLAVEREN

 

Art versus science, quietude versus busyness and messy creativity versus tidiness.

At first thought, these areas seem to be at war with each other.

But in Amanda Blake-Sutterby’s life they offer balance and symmetry.

And it’s actually her chosen visual stream of botanical art that provides Amanda with the solution to the competing sides of her personality.

“Art balances out my personality,” Amanda confides in her Newtown studio.

“It’s a source of comfort.

“Normally I never sit still, I even eat standing up. I’m always running, its hectic, there’s chaos, I’m full of nervous energy.”

That’s in part because of Amanda’s other profession as a physiotherapist, which keeps her constantly on the move.

“You don’t sit as a physio, you’re always moving around your client, working from different angles.

“But when I’m painting I can just sit and work and focus right down on minute detail for hours and hours.

“In the quiet of evening, when there’s no distraction, I can get lost in it. Sometimes I finally lift my head to discover its 2.30am.”

 

Read the full story in the latest Geelong Coast Magazine – in newsagents now.

A PM in the house

Arilpa stands tall amid the coastal landscape early last century. Picture courtesy Alfred Deakin Prime Ministerial Library, Deakin University/Margaret Brookes

JOHN VAN KLAVEREN tours Point Lonsdale’s Aripla, former holiday home of Australia’s second Prime Minister and the namesake of Deakin University.

 

A hidden national treasure at Point Lonsdale links Geelong to Australia’s emergence from colonialism into federation.

The link runs through Geelong’s university and includes many notables of the time as well as events of national importance.

It all revolves around Alfred Deakin, Australia’s second Prime Minister, who in 1905 sold a 2.5ha holiday property on the Bellarine Peninsula to son-in-law Herbert Brookes.

Arilpa was built in 1913 as the holiday residence for Herbert and wife Ivy, Alfred Deakin’s daughter.

The property is still used as a holiday home by the Brookes family, albeit with the addition of a few mod-cons.

But the simple, square, hipped-roof home remains in its original style with its wide verandah, weatherboard walls to sill height and roughcast stucco above.

Arilpa is considered architecturally significant as an example of the bungalow style, demonstrating Colonial traditions in suburban Federation villas that emerged in Victoria about the same time.

But Arilpa’s history is more significant for its association with Deakin and Herbert Brookes, a well-known businessman, pastoralist and public official in his own right.

 For the full story pick up the latest GC Magazine – out now.

Newtown oasis

Gwen Anderson among the lush foliage of Aroha.

The lush, overflowing suburban oasis is almost becoming an endangered species in these days of low maintenance “outdoor spaces”.

Words: John Van Klaveren
Pictures: Reg Ryan

Lawns have been replaced by coloured gravel and pebbles – or the artificial variety – while small circles of mulch allow the odd shrub to poke through.
Not so for Mal and Gwen Anderson who continue to see their plant lover’s garden Aroha evolve around their stately home.
The Newtown rare treat was a former nursery, providing a wonderful soil base for the collection of the garden’s foliage, texture, colour and form.
The former annexe to Stinton’s Nursery was once owned by the Windmill family before the Higgins clan bought it and built the red brick and white stucco house.
Formal entry to the garden is from a lych gate and along a lush cobbled walkway of hellebores, bulbs and shrubberies.
The lych was traditionally a gateway covered with a roof found at the entrance to a traditional English churchyard.
The property’s series of garden rooms feature choice shrubs and conifers anchored by repeat plantings of acid-yellow euphorbias, colourful salvias, perfumed philadelphus, viburnums, sambucas and glorious roses.
The garden also has a lovely collection of fruit trees including lime, lemon, cherry quince pears and persimmon.
Gwen started with Australian natives but now prefers an ever-changing English-style garden instead.
“We did lose so much during the drought, which taught us to toughen up a bit,” Gwen admits.
“Now if it dies, it goes.

More in the latest Geelong Coast Magazine – in newsagents now.

A home in the country

Lindy and Glenn Capelli, happy at home in their award-winning Inverleigh abode.

Home Bodies

Glenn and Lindy Capellie take JOHN VAN KLAVEREN on a tour of their award-winning home spliced neatly into the countryside of Inverleigh.

Pictures: Reg Ryan

It was the landscape that captured Glenn and Lindy Capelli.
“We fell in love with the land,” Lindy says simply.
“The land chose us, really.”
A chance encounter after inspecting a house for sale near Inverleigh led the pair to stumble across an estate about to be released.
“We were looking for a country place but nothing appealed,” Lindy says.
With the undulating acres calling them, the Capellis instead set about building their ideal abode.
But while the land was perfect, the first attempt at building was far from it, leading the couple to almost abandon their project.
“It was so disappointing,” Lindy admits.
“We invested a year for it to fall through, basically through a serious lack of communication.
“We felt like just selling the block but then we knew we just had to get back on the horse despite the disappointment.”
After talking to several builders, Glen and Lindy settled on Pivot Homes because of the open communication.
The association wasn’t surprising because Glenn’s business is all about communication – he’s an internationally-known public speaker, author, songwriter and radio and television presenter.
Lindy, with a television career herself, designed his book, Thinking Caps.

Read the full story in the latest Geelong Coast Magazine – out now.

The great southwest

Mystery, myth and magic inhabit Geelong and its great southwest hinterland. Volcanoes, megafauna, UFO sightings, war secrets … NOEL MURPHY sketches an artistic panorama.

 

TIME capsules in black and white, a moment in history, Magic Boomerang-like standstill snapshots of an era not quite gone … however they’re described, the Rigby Sketchbook series from the late 1960s and early ’70s are diminutive treasures.

Cities, towns and regions across Australia were featured in the slender dust-cover hardback books, using short potted histories and smart monochrome hand sketches. Everywhere from the Dandenong Ranges to Fremantle, Sydney, the Gold Coast and the Yorke Peninsula.

These days they’re hard to find in second-hand bookshops; most snapped long ago by collectors with a weather eye for beauty and a bargain. Of the 60-odd little tomes, two feature Geelong, Surf Coast and regional sites and buildings: Geelong Sketchbook and Western District Sketchbook.

They’re terrific introductions to a region steeped in history, legends, myths and folklore few residents know.

 

Read the full story in the latest Geelong Coast Magazine – available from newsagents now.

Planting poison

One man’s plant is another man’s poison. JOHN VAN KLAVEREN discovers the deadly species growing in local backyards.

 

You may never look at your garden the same way again.

Most of us don’t know it but around half of our common garden plants are poisonous, says Friends of the Geelong Botanic Gardens expert David Johnson.

But before you start pulling plants out holus bolus, David adds that it all depends of the dose.

“Even what we know as a poisonous plant is only detrimental in large doses. In small amounts it can actually be beneficial,” he smiles mysteriously.

David guides GC on a private tour of Geelong’s lauded botanic gardens, identifying poisonous plants – including some we eat or drink.

He points out a series of sinister plants, some containing caffeine – the world’s most-used drug – or various forms of citrus, that we wouldn’t otherwise think twice about consuming.

“Citrus oil extracted from the fruit’s skin is used to flavour Earl Grey Tea and it’s fine if used in tea but if it’s applied to skin and exposed to the Sun it can cause cancer,” David explains.

Tapioca has been a long-time pudding favourite but it’s derived from the roots of the cassava plant, producing deadly cyanide if prepared incorrectly.

Similarly the pith of the sago palm, a member of the cycad family, is used for starch but is actually one of the most poisonous plants ever eaten.

The palms’ male and female plants, commonly sold in nurseries, produce a range of chemicals including toxic agent cycasin, for which there is no antidote.

The plant is particularly poisonous to animals, with incidents involving pets rising in recent years.

Plants use their toxicity for protection, David explains.

“It may be to avoid being eaten or it may be aimed at nearby plants as a means of reducing competition for space or nutrients in a particular area.”

Pretty red berries are another warning, David points out.

 

More in the latest Geelong Coast Magazine – out now.

Calling their Bluff

NOEL MURPHY trips over an architectural gem among the moonahs and rugged coastal bushland of Barwon Heads.

 

TEXTURE, colour and landscape are powerful features in house design. They impart a warmth, comfort and natural empathy with inhabitant and environment alike.

Get these essential ingredients right, marry them artistically and pragmatically with function and you’re on a winner.

Mix them in a three-level home amid gnarled moonahs above Barwon Heads’ golf links and with an earthy melange of russet and hardwood tones, glassy expanses and grey render and the recipe is both obvious and immediate.

In fact, the Bluff House’s intrinsic ties to the bush and gently flowing layout make for a sublime mix of design and use.

The geometric shapes created by Auhaus Architecture’s Kate FitzPatrick and Benjamin Stibbard cleverly complement the site, hinting a nod to great designer Le Corbusier.

They designed Bluff House as a sculpted pathway crossing the allotment front to back. The path is partially built, partially landscape. This means a series of fluid living zones; a continuous dialogue between the inside and the tough, beautiful moonah, scrub and terrain outside.

 

Read more on this distinctive home in the current edition of Geelong Coast Magazine – in newsagents now.

All fired up

From Afghanistan to Avalon, the career of fire fighter Luke Wood is now blazing a path into one of Australia’s hottest calendars. JOHN VAN KLAVEREN feels the heat.

 

Luke Wood is a model fire fighter – and has the photos to prove it.

The 26-year-old Avalon Airport fire fighter is the sizzling face of the first Victorian version of a massive fundraising calendar.

His hot photos will help kick off the new calendar, alongside Queensland and New South Wales versions that have raised more than $1.2 million in the 20 years they have been published.

Luke was a driving force behind bringing the hugely popular calendar to Victoria.

The calendar has become so big it has even attracted a “making of the fire fighters calendar” television documentary – and the Victorian version will be included in the show next year.

He’s also one of the youngest fire fighters to appear in it – but that hasn’t fazed him at all.

“I’m used to being the youngest in most things I do,” Luke confesses.

He was the youngest Australian soldier to serve in Iraq after enlisting at 17 as a paratrooper, following his family’s military background.

Luke served in the Solomon Islands, East Timor and Iraq for four years, spending 13 months overseas.

During his overseas service he put his physical training expertise to good use, acting as a combat fitness leader for his platoon.

He led the fitness training programs involving endurance, weight training, aerobics and nutrition.

“Dad was physical training instructor in the army, my sister was also in the army, so it’s a lifestyle I’ve grown up with in a military family,” Luke says

After his military service, Luke was looking around for a new job that suited his military background and applied for a role as a prison officer.

“I was at Barwon Prison for two years and, surprise, surprise, I was the youngest one again,” he laughs.

But an unfulfilled boyhood dream kept nagging away at him.

“I always wanted to be fire fighter, so I applied even though applications were limited. I managed to get through and topped the pool applying for a spot at Avalon Airport.”

When Luke saw a call for expressions of interest in appearing in the calendar, he thought he would give it a shot.

 

Read the full story in the Geelong Coast Magazine – in newsagents now.

In Conversation: Elodie Russell

Geelong’s Elodie Russell is one of Australia’s hottest new faces on the international modelling scene. She speaks with GC’s NOEL MURPHY about her burgeoning career.

 

GC: Where did you first start modelling?

ER: I was discovered two years ago when I got signed with my first agency, Chadwick Models, and I’ve been modelling ever since.

 

GC: What was your first big break?

ER: When I entered the Dolly Model Search I was fortunate enough to be announced as the Victorian finalist. I was then offered a modelling contract from Chadwick and it all started from there.

 

GC: Who have you modelled for in recent times? What magazines, what labels, events?

ER: I recently appeared in Elle Australia August issue as one of the upcoming models in Australia. I’ve also been announced as one of the faces of Melbourne Spring Fashion Week for this year.

 

GC: How old are you right now?

ER: I’m 16, turning 17 at the end of this year.

 

GC: How do you work school and modelling together?

ER: I’m currently doing online schooling, which benefits my career as I can do what I love (modelling) and it will also benefit me down the track when modelling is no longer an option.

 

GC: Have you lived in Geelong all your life?

ER: Born and raised!

 

Catch up with the conversation in the latest GC Magazine – in newsagents now.

Back on stage

A local monologue shapes the internationally acclaimed script of unique Geelong theatre company Back to Back. JOHN VAN KLAVEREN goes backstage.

 

It’s described as a leading contemporary theatre company in books, articles, academia and reviews all over the world.

Well, everywhere except Geelong, apparently.

Locals are only a tiny percentage of audiences intrigued by the unique reverse-theatrical- engineering of this ensemble of actors with disabilities.

Well, “perceived” disabilities, as the company’s production blurbs company maintain.

And that’s just part of the discussion Back to Back introduces through productions sometimes construed as controversial.

The creative leaders at Geelong’s Back to Back Theatre Company – including the actors themselves – produces shows are as much about asking questions as answering them.

Writing credits are shunned, with contributors to the concepts and outlines of productions acknowledged as “devisors”.

Chief among them is creative director Bruce Gladwin, also shares the company’s CEO role with executive producer Alice Nash.

The pair has worked hand-in-hand at Back to Back for 13 years, developing a fine-tuned chemistry to drive their little theatre company to international heights.

In 2013 alone Back to Back undertook 86 performances, performing two plays in six countries and 15 venues as part of one national and four international tours. Audience numbers reach 23,579.

 

More in the latest GC Magazine – in newsagents now.

Local Love – Jennifer and Rick

WHITE sandy beaches, thatch huts, tall palms…

A blistering Fijian sun overlooked Jennifer Day and Rick Opperman as they frolicked in the tropical water.

Jenn stood for a moment in Savala island’s crystal-clear shallows with their two-year-old son, Jett.

She turned to find Rick on one knee, proposing.

Jen had nowhere to run.

 

HOW THEY MET
It must have been fate.

Rick and Jenn were both living at Waurn Ponds when they to bumping into each other in 2006 at the local pub.

“We just got talking and that was it,” Jen says.

“We’ve been together ever since.”

 

Read the full story in the latest Geelong Coast Magazine – out now.

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