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Wayne Jury

Wayne Jury belts out another blues number.

LOCAL SOUNDS

 

Words: John Van Klaveren

 

WAYNE Jury has come home in more ways than one.

The nationally respected blues and roots musician is as surprised as anyone to be back living and working in Geelong after 30 years in Sydney.

But connecting into the local music scene has been a revelation for Jury and rubbing shoulders with young local talent has given him a new lease on musical life.

It’s also part of his journey from rock, with occasional dalliances in soul, jazz and, of all genres, opera to what he regards as music’s core in the blues.

Which is entirely appropriate since Jury has had more than his share of the blues personally.

But as great songwriters do, the 54-year-old Geelong West muso turned his pent up emotions into song to release last year’s Doors and Bridges album, recorded with local luminary Dave Steel.

A brother lost to cancer, an ageing father and a broken relationship conspired to send Jury back to his own local roots.

“I only intended to stay in Geelong 12 months,” he confessed.

“That was six years ago.”

 

Jury performed his debut gig in Geelong at 13, later supporting household names such as AC/DC, Ayres Rock, Little River Band, Buffalo, Cold Chisel, Dragon, Hush and Ted Mulry Gang.

Along the way he learned the dark side of the industry when he was “ripped off” by managers and working hard for little or no money.

Aged 18 he was down to just a guitar and $8 in Sydney.

But with talent and determination he forged a reputation as one of the foremost blues exponents in the country, playing thousands of gigs and opening for greats such as Robert Cray, Albert Collins, Canned Heat and Buddy Guy.

In 1993 Jury teamed with guitarist/producer John Brewster, of The Angels, to write and record a solo album.

He toured nationally for seven years with guitar prodigy Nathan Cavaleri and was house songwriter at J Albert and Son for three years.

 

Jury’s returning to Geelong gave him an opportunity of formal music study with Greg Waugh and Tim Neal, which he has used to formalise a growing desire to teach.

 

Read more in the latest edition of  Geelong Coast Magazine.

Australia in focus

ARTIST IN RESIDENCE

 

NOEL MURPHY meets Darren Clark, a photographer from Grovedale putting the real Australia in the national picture.

 

NAKED bodies, colours, faces and landscapes jump almost shockingly in your face – sometimes right in your face.

They’re vibrant, different and a warm; a sharply wakening assault on the senses.

Strippers and pole dancers, pearlers and farmers, Goths and punks, Aborigines, ballerinas , brooding inner-city scapes, rugged Outback  vistas – all surrender their psyche, their heart, through the brooding lens of Grovedale photographer Darren Clark.

National and state libraries and museums around Australia are hungrily gathering Clark’s work. International publisher Harper Collins has engaged him to capture Australia’s cattle industry.

The poignancy and beauty of his soul-searching images is striking. In every picture a vivid expression of humanity tugs at the heartstrings and sparkles with life that ventures into dark places to expose the beauty of Australia.

Clark’s odyssey through sex clubs, Aboriginal communities, cattle stations, ballet studios, pubs, brothels, deserts, plains and woodlands has returned a pictorial and personal insight few will ever experience.

The journey for Clark has been redemptive, sometimes savaging and rewarding – and with no sign of letting up.

“I try not to do too much research, I just go there,” he explains of his ability to insinuate himself into place and person alike.

“Once you learn your skills, how to make beautiful photos, it comes down to people skills and just allowing them be …”

 

Read more of Noel Murphy’s story in the latest GC Magazine.

Laura and James

LOCAL LOVE

Words: Cherie Donnellan

Photos: Lauren Alyce (www.laurenalyce.com.au)

 

Bride: Laura McGrath

Groom: James Gannon

 

ALMOST four years after Laura and James spent their first date at Wye River, the Pennyroyal-based couple returned for a romantic evening.

James, a joker, had always played tricks on Laura about popping the question. But this time he presented her with a ring.

Within three months they held an intimate winter ceremony at James’ family church, surrounded by family and closest friends.

 

THE CEREMONY

Just 20 guests were invited to the ceremony at St Andrews Catholic Church in Birregurra.

Guests were curled up with hot water bottles and blankets to keep warm on the wintery day and watched Laura and James exchange traditional vows.

The intimate setting allowed the couple and guests to indulge in a celebratory glass of port at the church.

 

THE RECEPTION

Laura and James ditched the traditional wedding cake and bridal waltz at a packed reception for an intimate lunch with their 20 guests at award-winning Inverleigh restaurant Gladioli. They feasted on an eight-course degustation menu with wine.

“I loved the idea of a degustation and we wanted to spoil our guests,” Laura says.

“I initially wasn’t sure about the whole concept and how it would work at Gladioli but [staff member] Rebecca was very reassuring and it was great.”

THE WILD RIDE

Laura and James thought hiring a double-decker bus to take them to the ceremony then to the reception would be a novel twist.

But the bus ride was more eventful than they expected.

“The bus driver came to pick us up at our home and got badly bogged in the driveway,” Laura recalls.

“James’ parents have a farm across from us, so they got a tractor to pull the bus out.”

The driver also managed to get lost driving between the ceremony and reception but Laura jokes it just allowed guests time for another celebratory drink on the bus before lunch.

 

More in the latest GC Magazine.

Past and present

Julie Nikolovski amid the sophisticated glory of her home opposite Eastern Park. PHOTOS: REG RYAN

HOME BODIES

Pictures: Reg Ryan

 

Matching contemporary and heritage designs is a tough ask but, as NOEL MURPHY discovers in the shade of Eastern Park, it can be done not only sympathetically but elegantly.

 

A YELLOW-eyed currawong caws from the lichen-slated roof of the elegant Victorian house looking out to the pines and cypresses of Eastern Park.

The throaty warble is a warm native addition to the sense of old Geelong dripping from the iron fretwork, barge-board skin and tan-bricked heritage structure.

So, too, the bunya bunya pine, Moreton Bay fig and soaring palms in this precinct on the edge of Geelong’s first Corio Bay settlement.

Nature and art collide exquisitely with the Garden St home.

Sophistication is evident in the shape of tessellated verandah tiling, cast-iron columns and glossy black fleur-de-lis, while tan brick chimneys, bay windows and a manicured, landscaped front lawn exude the charm and style that 19th Century architects strived to deliver their clients.

A little 21st Century TLC hasn’t done any harm, either.

Julie Nikolovski is understandably proud of her home.

And why not? The house, its siting, its restoration – the property is exquisite for its multiplicity of architectural, historic and social elements.

Neighbouring properties of a similar ilk, notably Merchiston House –arguably the best classical-style mansion in Geelong – plus the proximity of the charming art deco Eastern Beach bathing complex also imbue an ambience hard to replicate elsewhere in this town.

But, like many of Geelong’s heritage charmers, this building has been obliged to embrace the new; to integrate its fabric with the contemporary.

It’s not apparent from the street, though. The coupling is inconspicuous, especially designed not to impinge on, let alone detract, from the merit of the house’s Victorian heritage elements.

It’s a happy, albeit unconventional, marriage of form and function.

Julie and husband Mick bought the house in 2009. They live there with their two teenage children.

“We bought it from the Moon family, we just loved it,” Julie says.

“It was pretty good for a house more than 100 years old.”

Julie points to fireplaces, grates, extravagant cornices.

“We did all this,” she says.

 

See more of this home in the latest GC Magazine.

Volunteers all aboard

Darcy Peterson is among the volunteers keeping Bellarine Railway running.

Love keeps a charming tourist attraction keeps chugging along on the Bellarine Peninsula. Highton’s SARAH LITTLETON meets the volunteers ensuring the historic Bellarine Railway remains on track.

 

The huge machine surges towards the group.

It stops.

The young boy’s eyes widen in surprise – is it really him?

“I think I thought it was the real Thomas the Tank Engine,” says 20-year-old Darcy Peterson as he looks back fondly on his childhood visits to Victoria’s Drysdale Railway Station.

Now a volunteer member of Bellarine Railway Society, Darcy is thrilled to be part of activities ranging from the crewing of trains to the management of events for the railway’s estimated 120,000 annual visitors.

“It’s a rare opportunity. I came in at exactly the right time,” he says.

The society regularly runs historic steam and diesel trains – as well as Thomas the Tank Engine lookalikes – along its narrow-gauge line between Drysdale and Queenscliff.

The intermittent services provide a unique tourism experience on the Bellarine Peninsula, with locals also patronising rollicking Blues Train band nights or booking trains for functions ranging from birthday parties to weddings.

With limited government support, the not-for-profit railway depends on the work of its volunteers.

Unlike Darcy, railway marketing and administration coordinator Kate Kenny admits to limited passion for trains when she joined the society 16 years ago.

“My husband was a train guard at the station and his kids loved it,” Kate says.

“I thought I could either sit at home or go and see what all the fuss was about.”

 

More in the latest Geelong Coast Magazine.

Our future frontline

Hollie Acres

Research is a driving force behind a new economy Geelong is building. Nano-technology, health, social behaviour, materials and sport are just some of the pursuits underpinning the rise of new enterprises. Not surprisingly, some sharp-minded women are setting the pace. NOEL MURPHY reports …

 

IRANIAN scientist Minoo Naebe is a long way from her home but it’s a choice she made to set herself among the world’s sharpest research minds in textiles and materials.

At Deakin University’s Centre for Material and Fibre Innovation, she’s drawn world attention for her work with extraordinary, tiny nanotechnology game-changers.

Nanotechnology is all about engineering at the atomic or molecular level. It’s science fiction come true, an enterprise where all manner of functional systems – motors, robot arms, computers – are built and operated at a tiny, tiny level.

It’s going to be behind new technologies for medicine, energy, security, the environment, powerful midget batteries, clothing to guard against chemical and biological hazards, air-purifying filters, tissue scaffold implants to repair injuries and more.

“I think polymer Nano fibre technology, like the internet, will revolutionise the way we live,’’ Dr Naebe says.

“There’s huge potential for different applications, some are already on the market, like filtration, and if you think carbon nanotube fibres, they’re using them in aerospace and aircraft structures.’’

Other uses are tipped to include clean water, enhanced food and crops, cheap and powerful energy, vastly improved drugs, smart appliances, increased human performance, medical diagnostics, organ replacement, super manufacturing … as she says, it’s a long list.

Dr Naebe’s work is presently focussed on making Aussie soldiers safer in the field – with lighter, better-performing helmets and high-curvature body armour.

Her research is a collaborative affair, alongside researchers from the Victorian Centre for Advance Materials Manufacturing, Australian Defence Apparel and the Defence Science and Technology Organisation. She’s been part of teams that have snaffled a swag of national and international awards.

The upshot is that Deakin University is a world leader in composite materials, something Dr Naebe hopes can save lives, boost jobs and reboot economies like Geelong’s.

“It takes a certain personality to follow research,’’ Dr Naebe says.

“You have to be very curious, very persistent, and on top of that you have to have passion and never give up – the answer might need you to do things again and again.

“I was very interested in doing something that makes a difference to the world and to people.’’

 

More high flyers features in the latest GC Magazine, out now.

High flyers

Geelong’s aviation industry is flying high with more opportunities than ever before – pilot training, sales and maintenance. John Van Klaveren took wing to checked out what’s happening inside the region’s hangars.

 

GEELONG is on the cusp of becoming an “aviation city” – and adventurous local women helping lead the charge.

While Avalon Airport has grabbed the lion’s share of recent aviation coverage, general aviation – or light planes – is going ahead leaps and bounds in the region.

That’s despite the closure of Geelong’s best-known regional airfield, at Grovedale, after the land was sold to Armstrong Creek developers.

Ceres’s airstrip, run by Lindy Lee, has long been a beacon for local aviators, and now Lethbridge Airport is also assuming prominence after recently secured $1 million in State Government funding for runway and other upgrades.

Lethbridge flight training business Skythrills is running one of Australia’s first vocational training courses for secondary students.

Joy flights and aerobatics displays are also part of the Skythrills business.

Co-owner and aviator Jodie Davis began flying in her early 20s mainly to scratch an itch and without expecting it would become a career.

Jodie discovered her passion for flight despite the high initial cost of learning to fly.

Now she’s keen to pass on her passion.

The investment in Lethbridge Airport facilities and infrastructure will make a significant difference, enabling Skythrills to offer more course places to schools within the Barwon region.

Students from five Geelong-based schools – Northern Bay, Western Heights Secondary, Newcomb Secondary, North Geelong Secondary colleges and Geelong Grammar – are enrolled in Jodie’s Sky High course.

Jodie says Kardinia International College has signed on to take part in the program next year and she expects other schools to join after the upgrade announcement.

The course is aimed at getting students interested and prepared for futures in aviation, helping budding student pilots earn national accreditation before finishing high school.

 

 

Social scene

SHARON HILL AND SARAH ROWE.

CHAMBER OF COMMERCE

After Five

EVENT

PHOTOS: CHERIE DONNELLAN

The average working gay

Dylan copped a world of abuse because he is gay.

Sexuality is a hot social topic, with marriage equality at the top of the list. But what does it mean to a young gay man facing homophobia? And why are Geelong organisations hoping to change organisational culture to be more sexuality-inclusive? CHERIE DONNELLAN finds out.

 

PICTURES: REG RYAN AND CHERIE DONNELLAN

WHEN I think of the word ‘gay’ I recall alluring images of Mardi Gras – a flurry of colours, smiles and some really quirky costumes. Dance music and laughter is heard in the background of scenes shown yearly on TV.

I think of Geelong’s Hollywood darling Portia de Rossi and her hilarious wife Ellen DeGeneres (pity they didn’t stop by Geelong during their Australian visit).

I think of Twitter’s consistently-trending “#marriageequality” and the flood of support for nations that change laws to allow same-sex couples to marry (good one, New Zealand).

I think of the beautiful rainbow flag that flies high at gay rights support days like IDAHO Day which sends around the message that homophobia is toxic to Australians who identify as gay, lesbian, bisexual, transgender or intersex (GLBTI).

To me – a straight, Gen Y woman – homophobia is old hat. It’s as out-dated a belief as thinking the world is flat.

And yet, it seems even in our hometown, individuals are still facing discrimination – in schools and workplaces – because of their sexuality.

I met with Dylan, a 20-year old Geelong man. He’s gay, and for that, he’s copped a world of abuse.

Two weeks into a new job, Dylan’s manager learned his sexuality. Her treatment of him abruptly changed.

“She would put me down for everything I said or did. She’d belittle me.

“She’d make sly comments about me being gay. It’s like she was trying to joke around. It’s like she was trying to be funny but she was still being offensive at the same time.”

After three months of tolerating his manager’s constant jibes, Dylan “lashed out”.

“I’d had enough.”

“I had asked for an apology [from senior management] and they said that’s not going to happen.

“[My manager] still to this day denies she mistreated me.”

The homophobia Dylan experienced at his job continued months after he quit.

His former manager contacted police, alleging he was “violent…aggressive, that she was scared of me, that I prank call her and send her threats. I didn’t do any of that. I didn’t even have her contact details. It was two months after I’d left.”

Dylan considered applying for an intervention order; after she was made aware of this, she “backed off” from the allegations.

“I don’t understand homophobia,” Dylan says, shaking his head.

 

More in the current issue of GC Magazine.

Something from Kate

Kate McLennan.

Life’s full of laugh for the stars of the comedy circuit but it all has to start somewhere. Comedian and writer Kate McLennan reveals her hometown inspirations to GC’s CHERIE DONNELLAN.

 

AS a year 11 student at Belmont High School, Kate McLennan dragged best friend Sally with her to a Barwon Theatre Company acting class.

Sally sidestepped the limelight but Kate answered the call of the arts.

In awe of theatre teacher Caroline Morris, who by day taught drama at Christian College, Kate set her sights on entering VCE drama classes.

Without drama available at Belmont High, Kate enrolled at Christian College, just a taxi fare or dad-drive away.

Her talent earned her a place in performing arts at University of Ballarat, setting Kate on the road to becoming a “serious actor”.

But she was continually cast in comic roles – a career plot twist for which she’s now grateful.

“It took someone else to tell me I was good at comedy for me to get it,” Kate recalls.

Roles in sketch and solo shows followed, with Kate utilising her drama skills to hone comedy characters.

She debuted as a professional comedy actress with multiple roles in The Debutante Diaries, her 2006 story about angst-ridden teenagers preparing for their deb.

The show was a hit at Melbourne Fringe festival, winning Best Comedy and earning Kate a Best Newcomer award.

Despite the success, she initially worried the festival debut would become her career swansong.

“The show had all these sad bits in it and I thought, ‘This is a drama, not comedy’. I asked to change it from the comedy section to theatre but couldn’t … and on opening night I was expecting to be doing this serious show about teenage angst and the politics of debutante balls but the audience was laughing.

“Lucky I didn’t change it. There was the sense that I was so new that I had no idea the show was even funny.”

 See the current edition of GC Magazine for more.

Rediscovering Australia

Just who discovered Australia and when has long been a vexed topic.  And Geelong has an interesting, mysterious and even key role in confirming just who made it here first. NOEL MURPHY tips conventional wisdom on its head.

 

WE KNOW of the arrival of Aborigines 40,000 years ago, deemed by some historians as a planned immigration.

We know of Britain’s James Cook on the east coast in 1770, English buccaneer William Dampier on the west coast in 1699 and Dutch navigator Abel Tasman around the south in 1642.

We know, too, of Spain’s Luis Vaez de Torres coming through the northern strait bearing his name in 1606. Likewise, Dutchman Willem Janszoon arriving at Cape York in his tiny Duyfken a few months earlier the same year.

But we know precious little, notwithstanding a raft of evidence, of what is an even more remarkable tale of exploration and discovery – by Muslim navigators and map-makers.

It’s a tale reflecting far deeper multicultural beginnings than the oft-cited white European version; a tale that ties Australia’s discovery to one of the most pivotal scientists in history – the man who invented the numerical system underpinning our science of mathematics.

It’s a tale that has Islamic navigators and scholars front and centre in Australia’s discovery, producing the first map of Australia in Baghdad in 820 AD followed by another in 934 AD and regularly appearing in Australian waters, exploring and trading with Aborigines.

Spearheading the revival of this a forgotten history is Ocean Grove journalist and historian Dzavid Haveric who has published two books on the Muslim discovery of Australia and other parts of the world.

The beauty of Haveric’s account is, firstly, the antiquity of the Muslim arrival – when the Western world was buried in the Dark Ages – and, secondly, the depth of research to his argument.

“The maps of Australia drawn by Muslim scholars appeared in the golden era of Islamic civilisation,” Haveric writes in his 2012 book, History of the Muslim Discovery of the World.

For more on Dzavid Haveric’s discoveries, see the current edition of GC Magazine, out now.

Sophia’s choices

Artist Sophia Hewson and late friend ‘Explaining to a Dead Hare that Things Aren’t Like They Used to Be’.

Art can assume unusual forms but when intellect, interpretation and expression combine with a mix of unusual mediums stand by for some striking results. NOEL MURPHY reports …

 

KANGAROO spines in ice sculptures, albino Christs, orgasmic nuns in the sweet pain of religious ecstasy and bloody, dead animal carcasses and fetishism… if you thought contemporary art was dodging controversy, think again.

Sophia Hewson’s art is right at the cutting edge of it, with a kind of honeyed brutalism that challenges us on numerous fronts to think and rethink.

It’s among the most collectable in the country, a solid investment if you like, and it’s propelling the 28-year-old Geelong artist to the forefront of Australia’s art world with its shock value, intellectual rigour and focus on the human condition.

At first blush, Hewson’s art can be perplexing, bewildering. But its mix of painting, sculpture and photography _ with oils, resins, ice, animal organs, even hundreds and thousands _ can be riveting.

Add death, nudes, sex and religious themes, and you have all the ingredients for an orgiastic artistic experience that’s complex, confronting, even fun, all at once.

Hewson’s images can be a little mind-boggling, there’s no two ways about it. But, hey, that’s art.

Take the woman riding an inflatable dolphin in an overtly erotic pose. Critics have plumbed it for all its worth with Caravaggio, sex show fetish, mythological and nymph references.

And the man in white loincloth in a crucifixion pose with white fluid seeping from Christ-like stigmata, from her stunning Dy Dykrenore exhibition of 2010. That’s been read by critics for sperm and punishment for hedonism, and invites all manner of other interpretation too.

Take the other man in a loincloth, dangling upside down, in the same exhibition. Or the staggering ice sculpture embedded with a kangaroo spine Hewson’s unearthed on her parents farm at Lorne. Its visual presence alone is a feast but its meaning, again, mysterious and wide open to interpretation.

In fact, they’re all powerful, evocative, thought-provoking, metaphorical, but Hewson rarely offers clues to their significance – to the frustrated imaginings of critics forced to liken her taciturn nature to the mute brilliance of her images.

 

Read more in the latest edition of GC Magazine, out now.

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